(Some bits of irrelevant
sh!t I’m into)

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In a Nutshell

Hey — On my B-side, I’m still micki, just a little more laid-back and messy. I study fashion design, take photos, make endless playlists, sell vintage and secondhand clothes, and can spend hours scrolling or watching the most cursed YouTube videos imaginable.

(fashion &
aesthetics)

I run a digital vintage shop centered on curating designer pieces and extending their life through reuse. I'm fascinated by the way objects can be recontextualized, transformed, and given new meaning over time in a world where trends are fleeting.

I'm currently pursuing a Bachelor's degree in Design and Aesthetic Management, a multidisciplinary program that explores fashion, graphic, interior, and product design. What fascinates me most is the idea that aesthetics are never superficial. Every visual decision, from the spaces we inhabit to the clothes we wear, communicates identity, values, and culture.

I see the way I dress as an extension of my design practice. It's one of the most immediate ways I present myself to the world, just as branding, art direction, or digital experiences shape how people perceive a brand. Studying aesthetics across different disciplines has expanded the way I think about communication, helping me design with greater intention, coherence, and emotional depth.

(music)

Music taught me that complexity doesn't have to feel chaotic. I'm fascinated by sound, noise, and the absence of both. Through music, I found the same eclectic spirit that defines my work across design, fashion, and aesthetics: different influences, multiple layers, and unexpected contrasts coming together to create something cohesive. My next creative goal is to dive deeper into sound design and music production, expanding the way I think about storytelling beyond the visual.

Abrir la playlist en Spotify ↗

(film)

Shooting on film completely changed the way I approach uncertainty. I fell in love with its grain, textures, light leaks, and chemical imperfections, elements that digital workflows often try to eliminate.

What fascinates me most is capturing moments that might seem ordinary or even unnoticed to everyone else, but somehow feel worth preserving to me. Photography gives me the chance to steal those fleeting moments and reveal the beauty hidden in what others might overlook.

Every frame demands patience, intention, and the acceptance that the outcome is never fully under your control. That process has deeply influenced the way I approach design: slowing down, trusting the process, and finding beauty in what wasn't planned. I learned that uncertainty isn't the opposite of good design. Sometimes it's what gives it character.